Is Arts and crafts Treatment?

Is Arts and crafts Treatment?

Abstract art isn’t just a combination of vivid useless motifs and irrelavent shapes.

There is certainly, I feel, a concrete restorative worth to be seen in the majority of the enigmatic marks made by the very different patterns available these days. What appears to be the much more essential choice to make is really a very attentive consideration of the particular niche in combination with the choosing of the most ideal fine art. This isn’t something to be taken lightly or rather quickly. This would cover anyone inside the wide spectrum of separate audiences: a quite busy boardroom workspace or a single office environment or place where fast thinking, quick reactions, and important choice making is required; or possibly a woodworker who returns from a hard days toil merely needing to be aesthetically massaged by an effortlessly recognized enigma; or merely the spot where the anxious and usually misinterpreted person who is slowly but surely shedding their tentative hold on the impression of facts. There’s a great variety of prospects.

Below are various suggested interactions from 1 artists standpoint:

Colour combination plays an evident treating and therapeutic role being discovered in a conscientiously elected constructed piece, so color field work, that’s evolving in global recognition, initially considered by artists including Mark Rothko and Ellsworth Kelly with their tremendous spots of empty coloration space, might increase a general ambiance of peace and quiet to an otherwise boisterous and busy habitat. With there unquestionably very few distinctions within this kind of large image a peaceful perception of immersion into subjective stillness has the capability to prevent any fretful or irregular reasoning, and even lend a hand with the adrenal task of a revolutionary heart.

Long designs or patterns by the likes of Jackson Pollock, Peter Lanyon, and Howard Hodgkin (once more, comparable works empowered by these extremely different abstract layouts could be seen in many displays, suppliers and galleries and museums), reveal a extremely beneficial affiliation, and maybe convince a spirit, full with irrational thoughts to temporarily stop, simply take in the noticeable spontenaiety, and then take a different direction. Hodgkin’s style works in particular, could be seen as dilemna like canvases, in which the viewer doesn’t have a real point of reference so is free to “start” any where in the scene. And because there are very few determined places, at times the onlooker inevitably finds themselves either regarding the element with little feeling, and as a result can unreservedly make a comment – affirmative or not.

Let’s not refute, however, the reality that many an image that has the potential to trigger a negative reaction can also be of fantastic worth to the viewer who may really experience some benefits from viewing such a demanding image that carries such a poor association. Better there on the wall compared to here within the mind. With this scenario the standard associations of reddish colored for blood and grave danger, black for loss of life and sin, brown for rot and disease, as well as stunning lines and movements found in a piece of art are mutually useful stimuli if exposed within the best suited setting. This returns to my point made at the opening – as you are choosing a picture, extremely careful consideration must be taken to be able to find that one thing of beauty which articulates straight to the extremely deepest parts of the observer.

The author really likes composing articles on many things primarily sporting activities, nutrition, well being and esteem.

Heel Lifts

Surprisingly, Las Vegas Is A City Of Fine Arts And Vibrant Culture

Surprisingly, Las Vegas Is A City Of Fine Arts And Vibrant Culture

In a town that prides itself in offering “something for everyone,” it’s not surprising to find museums and galleries that exhibit fine art from internationally known artists. If you are visiting Las Vegas, it would be a shame to miss out on an engaging rendezvous with Las Vegas arts.

The Las Vegas Art Museum-For nearly 60 years, the Las Vegas Art Museum (LVAM) has remained dedicated to bringing fine art to Las Vegas.

And despite several relocations before finding its current home in the Sahara West Library/Fine Art Museum in 1997, Nevada’s first fine art museum has certainly succeeded. The mission of the LVAM is to engage visitors in the international culture of contemporary art, and to that end, the museum presents exhibitions that meet international excellence standards and provides various lectures, programs and publications.

Past exhibitions at the LVAM included both international and community-based shows, with displays by local Las Vegas artists and showcases of work by such artists as Dale Chihuly, Sam Francis and August Rodin.

Hungry for more Las Vegas arts? The museum covers almost 8,000 square feet of exhibition space and offers both adult and children’s education programs.

All LVAM programs are designed to meet American Association of Museum standards of excellence, and focus on helping visitors become engaged in the contemporary art and design culture.

The LVAM also provides a range of guided tours designed to educate visitors about current exhibitions. Each tour is led by a trained LVAM Docent Educator and takes less than an hour. Weekend tours, adult group tours, school and family tours can all be arranged.

Several of the larger hotels, the Bellagio and Caesar’s among others, are the homes to fine art galleries, and many more showing the work of artists of international reputation are found throughout the city.

Classical Music-Ten years ago on July 4th, 1998, the Las Vegas Philharmonic launched its classical music presence-adding a unique cultural dimension to the city. Since then, a variety of venues and events have showcased the Las Vegas Philharmonic’s versatility and virtuosity: performing for the openings of the high-end Bellagio and Venetian resorts; premiering “Star Wars: The Phantom Menace” with guest conductor John Williams at a private party hosted by 20th Century Fox held at Bally’s casino; and playing for two series of musical performances at Fashion Show Mall sponsored by Saks Fifth Avenue.

In addition, the Philharmonic provided background music for the CineVegas International Film Festival screening of the silent classic “Nosferatu.” International superstars Sarah Brightman, Placido Domingo and Andrea Bocelli (on his tour in Las Vegas, Phoenix, and Denver) have all performed with the talented orchestra. Other world-renown performers have included Bernadette Peters, Leon Bates, Oliva Gorra, Zheng Zhou and Luana DeVol.

Las Vegas Art Gallery Guide – Find local art galleries & antique stores in Las Vegas, Nevada (NV) at

Contemporary Abstract Paintings and Arts

Contemporary Abstract Paintings and Arts

Contemporary abstract artist Judy Hintz Cox has been exploring her own style of original abstract paintings for over thirty years. By experimenting with various uncommon media, such as epoxy resin and encaustic wax, Judy’s abstract paintings push the envelope of contemporary abstract art. As an artist, Judy’s boundless energy and minimalist sensibilities come through in a variety of her original abstract paintings, and one look at the expressive textures of her white encaustic series, the vibrant colors of her epoxy resin paintings, or the subdued tones of her abstract ochre series, is enough to be transported emotionally and spiritually in a way that only the finest of contemporary abstract art can achieve.

Judy derives inspiration from many sources, and the rich and contrasting qualities of black and white photography inform some of her most celebrated contemporary abstract painting. Judy’s abstract black and white paintings eschew the vibrant coloration of some of her other work, such as her epoxy resin paintings, in favor of boldly contrasting lines and energetic brush work. The feverish, often aggressive composition of these abstract black and white paintings excites, energizes, and challenges viewers to examine themselves — and reexamine their expectations of contemporary abstract painting.  

Judy is known the world over for her contemporary abstract paintings, and in particular for her original abstract series that explore particular themes, techniques, and approaches to abstract painting. Judy’s epoxy resin paintings, for example, use the difficult and dangerous substance of epoxy resin to achieve startling levels of translucency and vibrant color enhancement that distinguish these highly original abstract paintings from much else in the world of contemporary abstract art. Such originality and experimentation with new techniques is a hallmark of Judy’s, whether seen in the eloquent topography of her white encaustic series, the more conventionally contemporary painting of her abstract ochre series, or the boundary-pushing freneticism of her abstract black and white paintings.

For over thirty years Judy Hintz Cox has explored her unique artistic vision through a variety of media, and her boundless energy and minimalist sensibilities come through in every painting. Never satisfied with any one particular style or approach, Judy’s work delves into territories of theme and technique that combine a searching, restless variety with a cohesive aesthetic unique to her. It is in the quality of line and texture that Judy is most expressive, whether that be seen in the careful irregularities of her encaustic wax series, the weighty translucency of her work with epoxy resin, the brazen freneticism of her black and white abstracts, or the serendipitous juxtapositions of material and composition of her mixed media work.

The Arts Are Nice, But

The Arts Are Nice, But

Many parents feel that the study of the fine and performing arts is a nice thing for their children to do, a kind of finishing touch to a good liberal arts education. However, they feel that what prepares their children for the “real world” of college and the work place is the study of traditional liberal arts disciplines such as math or science. What I would like to suggest, radical as the notion may seem, is that the serious study of the arts is one of the best ways to educate a young person for college and work.
In this postindustrial society what is required of workers at all levels is that they be creative thinkers, problem solvers, able to work well with others, and be able to work independently. They must be self-motivated and proactive. Schools can no longer train people to do specific tasks; we must educate students in terms of broad skills so that they can function in any number of capacities.
How does arts training develop some of these skills? Think, if you will, of the young violin student. What does she learn in the study of her instrument that helps her develop some of the skills and attitudes needed for the 21st century, whatever her ultimate career?
The ability to pursue very long-term goals.
The young musician has usually begun her study by the age of 7 or 8 and, at 15, is looking forward to a lifetime of increasing mastery. She understands that learning is a lifelong process and not something that is “done” on the day she gets her diploma.
The relationship between work and mastery.
Mastery comes with hard work and practice. The young musician knows that how well and often she practices has a direct impact on the outcome. She understands that good process is important to a fine product.
Risk taking and learning from mistakes.
The violinist is willing to take risks in her playing because she knows that she learns by making mistakes. The “mistakes,” the parts that are not yet well-executed, tell her where the work is, rather than being an indication of failure.
Ownership of the work.
Young artists all have the gift of studying something in which they have a personal investment, which they have chosen. They work for themselves, as well as against an external standard of excellence. For a teenager to “own” her work is rare in this society where 15 year-olds are always preparing for the next step. A good violinist of 15 is approaching professional competence.
Learning by doing.
It is a fact that the best way to learn anything is to do it. Often in schools students do not do anything: they learn about doing something, or watch someone else do it. The young musician learns by doing, by playing the violin, not listening to someone lecture about how to play.
Learning to work in groups.
Young musicians, as well as other young artists, often have to work in groups. Playing in a small ensemble is one of the best possible ways to learn how to work with others. It requires listening, responding, and asserting your own “voice” while supporting the voices of your fellow members, in a way that contributes to the beauty of the whole. Research tells us that one of the most important reasons Japanese education produces such productive workers is not the many hours in classrooms, or rote learning, or longer days, but the fact that children are taught in school how to work well in groups. The arts provide a natural place for learning to work in groups.
Thinking creatively.
Clearly the study of the arts develops creative thinking along with the development of the technical skills to give such thinking concrete expression.
Positive self-identification.
At the time in her life when she is developing a sense of her own identity in the world, the young violinist has the gift of seeing herself as a “musician,” as a member of a larger community of accomplished people. She isn’t a “nerd,” a “prep,” a “jock”: she is a musician. In a time when Madonna tops the list of people most admired by teenagers, to have a student wish to emulate Itzak Perlman is much to be desired.
Acting on one’s beliefs.
Artists are activists. They perform. They are willing to put themselves and their work before the public. If you fail a math exam, you, your parents (maybe!) and your teacher knows. But if you have a hard time with a concerto, everybody knows. Art is not for the faint of heart.
The study of the arts helps students develop a sense of judgment, of choosing, and of asserting their choices. Only they can decide how they wish to interpret a passage. This is a quality of the self that cannot be “taught” but must be developed.
Having high ideals and values.
The study of the arts supports a view of the world that is idealistic, and strives for higher meaning. This is an essential quality for citizens of the 21st century to have. Further, since artists have to work so hard to become accomplished, they know that ideals are hard to reach and are meaningful only if acted upon.

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Wooden Yard Arts For the Modern Mind

Wooden Yard Arts For the Modern Mind

Each community is graced with the sight of nice lawns and yards; they come in various sizes and mostly would reflect one’s personality in terms of cultural background or personal favorites.

Yard displays and upkeep come in different varieties. There are some who wish to keep their yards plain and simple while others go through the preference of clearing it out and adding landscape to beautify it. For others, they even decorate and design their yards with accent pieces such as Wooden Yard Arts to enhance it.

The use of yard art has become a great factor in creating and designing one’s yard. The use of Wooden Yard Art has been highly regarded for its great traits such as its practicality and style which can be mixed and matched t suit one’s preference.

The choices are practically endless; one can have any piece they have in mind to fit the theme they are going for with their yards. There are season or holiday themed Wooden Yard Art such as those for Valentine’s where there are wooden hearts, cupids, bows and arrows, etc. The use of wooden art is among the most sought after as it requires very minimal maintenance and can be used over and over for a number of purposes.

Particular seasons or holidays are not the only limitations for the Wooden Yard Art; there are also other reasons and purposes one can have for these items. It can enable one to display their specific passions such as cartoon characters; they can have the option to create a mini wonderland for these characters by displaying them in their yards based on how they would like it to be seen.

These items are mostly ready made and are easy to find; these can be found online, in home and garden centers, recreation or hobby shops and among others, at yard sales. The variety is practically countless and will guarantee to have at least a piece that would suit the taste of any individual for them to use, decorate and match as they please.

Like all other things, the DIY option is also applicable in wooden art. The tools needed are simple and are rather basic which can be easily found in stores and for some in their very own homes. Helpful books can guide one to successfully create their very own pieces; should one have a minimal drawing hand, there are board patterns vastly available which they can trace around and cut and finish off with any color or decoration they prefer.

After careful planning on the pieces of wood yard art that they would like to have in their yards; one can start designing it according to their taste. They have limitless options and can move these items around as they please while maximizing their creativity. Yard art is a very pleasing form of outdoor decorating.

What You Need to Know About a Fine Arts Degree

What You Need to Know About a Fine Arts Degree

Whether you’re interested in photography, painting, sculpture, film, the digital media, or you aspire for a career in design or a coveted museum spot, a fine arts degree can help you achieve your goals. Here’s what you need to know to pursue a fine art degree and what you can expect from your training.

Fine Arts Degree Coursework

The courses offered at a fine art school are as varied as the students who decide to pursue a degree in fine arts. The curricula in most fine art schools generally feature courses in: • Art history

• Art theory and criticism

• Performing arts

• Painting, drawing sculpture, and photography

• Digital art

Types of Fine Arts Degrees

If you’re interested in pursuing a fine art degree, you have the choice of taking undergraduate as well as graduate paths. They include:

Associate’s of Fine Arts (AFA) . Like most associate’s degree programs, an associate’s degree in fine arts from an online school, a community college, or technical school lays the academic foundation for a bachelor’s degree.

Bachelor’s of Fine Arts (BFA) . A bachelor’s degree in fine arts generally takes four years to achieve, and gives students the professional and creative skills to prepare them for arts-related jobs. Most professional art positions require a BFA at a minimum.

Master’s of Fine Arts (MFA) . A master’s degree in fine arts further enhances a student’s understanding of the arts world–particularly management–as well as the advanced development of their creative specialty. Depending on your thesis, you can earn your MFA within two years, however, many students take longer. Generally, teaching and museum positions require an MFA.

What Are the Career Opportunities in the Fine Arts?

Many students considering a fine arts degree wonder what kinds of jobs are available after they graduate. The good news is there are a wide range of options–working as an art buyer, a creative director at an advertising agency, a museum curator, an artistic director in the theatre, or an independent multi-media artist.

According to the U.S. Bureau of Labor Statistics (BLS), the industries with the highest levels of employment for fine artists include:

• Independent artists, writers and performers

• The entertainment industry

• Specialized design services

• Colleges, universities and professional schools

• The publishing industry

The BLS notes that despite high competition for jobs in the fine arts, studios, galleries and individual clients are always looking for talented and stylized artists.

How Much Money Can I Make with a Fine Arts Degree?

Just as there are many different types of artists working in the fine arts, there are as many salary categories. The BLS reports the following median annual wages for some fine arts careers in 2009:

• Art directors: $ 78,580

• Craft artists: $ 28,960

• Multimedia artists and animators: $ 58,250

• Fine artists: $ 44,160

Additionally, the BLS notes that earnings for self-employed artists vary widely. Beginning artists may earn a nominal amount while working to establish their names in the art world, while more experienced freelance fine artists and illustrators have the potential to earn more than their salaried counterparts.

For creative professionals, a fine arts degree from a fine art school can open the doors to a world of opportunity.

Kelli Smith writes about colleges and universities, community colleges, online schools, and career development. She is the senior editor at